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Following the discussion of limitations in the depth of field of digital cameras, I wondered: Can the photographer with a digital camera overcome this problem by taking two pictures of the same object, but with slightly different distances to the object (say, a 1 cm difference), and then blend the two images in Photoshop to take advantage of the portions of each image that are best focused? I've started experimenting with this process and initial results are encouraging for a uniformly curved gastropod about 3 cm long. Two pictures were taken with distances to obect varying by one cm. Each image included a portion in focus and out of focus. One of the two images was re-scaled to a slightly larger size (e.g., 2048 to 2058 pixels) so that image dimensions matched. An airbrush-eraser was used on two Photoshop layers, each layer having one of the images. The final images need to be 'flattened' to create a single image. Fortunately, there seemed to be no seam between the airbrushing done on the two components of the final image. Airbrushing the same area produces a white patch, but the error can be caught when the airbrushing is first being done and remedied with an "undo" command. It may be that a small degree of poor resolution near the boundaries of the airbrushed areas is an acceptable price to pay for much better focus along the entire vertical distance of the fossil. Are there others on the listserve who have experimented more extensively with this approach? Are there parameters beyond which the technique does not work? Tom DeVries
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